Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Joseph wright of derby
The Alchemist Discovering Phosphorus or The Alchemist in Search of the Philosophers Stone

ID: 81109

Joseph wright of derby The Alchemist Discovering Phosphorus or The Alchemist in Search of the Philosophers Stone
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Joseph wright of derby The Alchemist Discovering Phosphorus or The Alchemist in Search of the Philosophers Stone


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Joseph wright of derby

1734-97 English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794).   Related Paintings of Joseph wright of derby :. | portrait | The Cloister of San Cosimato | Hohle am Abend | Portrait of Rev D'Ewes Coke, his wife Hannah and Daniel Parker Coke | Experiment iwth an Airpump |
Related Artists:
Walter H.Everett
Story illustration . American , 1880-1946
Johannes Gumpp
1626-after1646
Libri, Girolamo dai
Italian Painter, ca.1474-1555 Illuminator and painter, son of Francesco dai Libri. He was evidently trained by his father, but he received commissions for altarpieces as well as manuscripts. Documents indicate that he lived in Verona all his life, but an early miniature of the Nativity, the only work by him in a series of choir-books almost certainly painted in Ferrara, suggests that he may have spent some time there. Vasari's record that he worked as an illuminator in the monastery of S Salvatore in Candiana (Padua) may be true, as some of Girolamo's surviving miniatures were executed for the abbey. The only record of Girolamo's views on his art occurs in a register of 1544: 'a good and worthy painter must know how to imitate nature well and to feign that which nature makes, and he must be universal in depicting landscapes






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